FEBRUARY 2015 COMPETITION
The Rotating Section ///
Sections reveal relationships between forms and spaces. Lines perpendicular to gravity orient floors, ceilings, windows, etc. What if a section began to rotate on itself? How does the perception of space change when gravity shifts, walls begin to tip away, and roofs become floors? How might a section that was designed for one position be affected by rotation? How might a section be specifically designed to function at multiple rotational positions? What happens when sections begin to rotate?
Participants may consider sections that rotate continuously, intermittently, or only once. Submissions may be conceptual, technical, and/or artistic.
JURORS ///
Allison Carafa
Philadelphia, Pennsylvania, United States
M.S. in Critical, Curatorial, and Conceptual Practices in Architecture - Columbia University
Ryan Edwards
Boston, Massachusetts, United States
M.Arch, Wentworth Institute of Technology
Firm: Helicon Design Group
Donna Mena
Brooklyn, New York, United States
B.Arch, Cal Poly San Luis Obispo, California
Firm: Ashe + Leandro
ENTRIES ///
30 Entries from 14 Countries
Nicholas Paley
Melbourne, Australia
Bin Du
Hefei, Anhui, China
Ungureanu Adrian Danut
Bucharest, Romania
Owen Nichols
New York, New York, United States
Kim Tran
Fort Worth, Texas, United States
Owen Nichols
New York, New York, United States
Brendan Vogt
New York, New York, United States
RESULTS ///
Nicholas Paley
Melbourne, Australia
JURY COMMENTS ///
"This entry receives high marks in all three categories called for in the brief; it is conceptual, technical and artistic. Although perhaps this entry does not specifically engage in a rotation whereby the 'roofs become floors,' it embodies the idea of rotation nonetheless and through both its concept and graphic qualities, completely deserves to be included in the final jury."
"Amazing graphic. Concept is conveyed immediately. The amount of detail and intricacy in the design and functionality answer the brief in a way that doesn't just follow the brief’s “rotation” request; but its taken one step further and the 2d section is rotated AND expanded to play with space. What is most impressive about this submission is its ability to be a completely plausible manifestation. Would really enjoy to see this come to life!"
"Graphically this entry is really well done. The idea is simple in the way it answers the brief... it is just a rotating section. I find myself wanting to experience the accordion of spaces it creates and see how I could mess with it and its then corresponding section."
Bin Du
Hefei, Anhui, China
JURY COMMENTS ///
"Good graphic. Each module in carefully designed and its use is well depicted to represent a specific use. I enjoy this technique because the space is given a function and its rotation would affect the initial function and force it to adapt to its new orientation. It is easy to see how the rotation can alter the use and function of space. Reads well."
"Although technically a very literal interpretation of the brief, this entry is graphically engaging and surpasses many for is clarity and execution of the brief requirements. In addition, this entry is dynamic and stimulating, providing the viewer to engage with the entry much more so than some of the other entries, which have a similar concept."
Ungureanu Adrian Danut
Bucharest, Romania
JURY COMMENTS ///
"This entry engages the brief simply and effectively, in a manner which is both easy to understand and fun. Although a number of entries were similar in nature to this entry, what stands apart is the graphic clarity and execution of the concept."
Owen Nichols
New York, New York, United States
JURY COMMENTS ///
"Visually fun and interesting to look at. Ambiguity of section and plan makes you think about how the drawing functions and in what way it should be read. Its ambiguity make it a successful submission. The color palette is chosen well and creates depth with mystery and intrigue."
Kim Tran
Fort Worth, Texas, United States
JURY COMMENTS ///
"I am not sure that I see how this particular design works, but I like the pushing, pulling, and folding of space that the designer is trying to represent. It may not be the most original of the entries, but I think it is asking a good question."
Owen Nichols
New York, New York, United States
JURY COMMENTS ///
"I like not knowing if this section slice was done long after the life of the buildings, when there was nothing left but bones, or if this is the beginning of the buildings and the slice is part of the design."